Retra is unusual serif high-contrast font family in Bodonian style. Some elements has not classical forms, so the font looks interesting and unusual. It is suitable for headlines and some texts. Font family Retra has as bright a display font style and a relaxed textual font styles, and sans-serif font styles. There are many OpenType features, also all the 104 European languages and all Slavic languages. Retra also has an alternative set of Slavic natural lowercase. Text, typed Retra, of course, attracts attention. Overall, Retra leaves a memorable and attractive experience.

Letro’s sturdy, slab serif form and sleek alternates make it perfect for any sort of display, whether it’s professional or personal, casual or serious, big, small, on a computer screen or on paper. Letro does everything: elegant while slightly blocky, stylised while legible, solid but full of finesse, this font isn’t the jack of all trades, it comes close to being the master. Letro comes in two weights, light and regular, with support for a multitude of languages. When you need a font with serifs to get the job done, Letro is your go to type.

Petra is a classic fantasy kingdom font that has bold and consistent lines in every letter, this font symbolizes strength and screams from the bottom of the heart.

Leira hand drawn typeface is drawn by hand with a thick brush, resulting in really bold characters with some shakiness in line to get that personal touch feel. This typeface will suit for headlines, logo, titles, identities, packaging, posters, cards, quotes, etc. With the uniqueness of the shapes, Leira can definitely attract attention of anyone and be an eye catching font. The bold letters and playfulness of this font makes it stand out from the crowd.

Netra Slab is a minimalist and modern font. Having 9 thicknesses from Thin to Black will provide an easy choice as needed. With 390+ characters it can support more than 30 languages. If you want typography that looks smooth then choose the Rounded version. This font is suitable for writing general text, titles, even for brand logos.

Let's see your style with Letra Pro.

TETRA 84 is a super cool nostalgic retro font in 80s 90s Y2K style TETRA 84 is a 80s 90s Y2k Tetris inspired typeface. It's retro, bold, playful, fun and...Tetris! Have fun using it!

FG Petra looks like usual handwriting yet very pretty! It has a large 'K' in lowercase; I think that is what makes it special.

The Letta Rillok Cyrillic font is a handwritten calligraphic signature script font paired with additional symbols font with extras. It is the font pair with will be the best option for branding, logos, wedding invitations, social media, packaging, business cards, DIY projects, social media, and many others. Letta Rillok Symbols is the font with 62 lovely hand-drawn flourishes and illustrations. Letta Rillok script Latin part contains a full set of uppercase letters and 3 full sets of lowercase letters, (standard, initial, and final forms with flourishes or teils. To make a needed form type a letter with a number such as a1, b1, c1...after that select the word and apply the Open Type Features in programs such as Adobe Illustrator, Photoshop, and others) And 53 ligatures can be used to create a handwritten calligraphy look. The Cyrillic part of the font contains uppercase letters and 3 complete sets of lowercase letters, (standard, initial, and final form. To make a needed form type a letter with a number such as a1, б1 в1... After that select the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) Letta Rillok Symbols is a font with over 36 hand-drawn elements, floral illustrations, and swashes and can help to make your design unique and matchless. Combine and merge swashes and illustrations to create your own designs and make borders, frames, dividers, logos, and more (just use A-Z or a-z and 0-9 keys in the included Letta Rillok Symbols font). A different symbol is assigned to each uppercase or lowercase standard character, so you do not need graphics software, just type the letter you need. Multilingual Support for 33 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

Petras Script, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Now the font is complemented with an alternate character set, which gives designers more flexibility and adds a personal touch to the font. Petra Beiße has resided for a long time in Wiesbaden, Germany, where she is working as a renowned calligrapher. It is rare that any of her scripts are transferred into digital format and sold worldwide as fonts. Because Petras Script became such a huge success, she decided to release Casanova Script Pro.

Gotico™, meaning Gothic, is a Blackletter script (sometimes referred to as Old English). The original Gotico design was first brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain. The designer of Gotico is unknown and for many years the font was formerly sold only in Europe.

Say hello to Gothica. It’s a display geometric sans designed with Stencil-like elements and letter cutouts specifically created for visual impact—ideal for logo, branding and advertising purposes. The font includes capitals and capital alternatives in the lower case keystroke positions—it’s like having 2 display fonts in one. In addition, Gothica includes various opentype features that allow graphic designers to tailor the type for custom needs. The development of Gothica started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. An experimental design, Gothica is specifically introduced as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Gothica—check out similar gothic alternates like Decrypt 01, Decrypt 02, Decrypt H1 and all of Type Innovations fonts from Alex Kaczun.

The idea behind Geotica was to build a font out of -more or less- simple geometrical line elements. The open wire frame could then be left open or (partially) filled. Geotica comes in four different grades or line thicknesses (One, Two, Three and Four) so it's suitable for a broad use. Each grade has four styles and is loaded with swashes, final forms, lots of ligatures and ornaments.

Gotika, designed by Mans Greback, is a collection of blackletter fonts that masterfully blend Gothic influences with modern sensibilities. Comprising Gotika Black, Gotika Strict, and Gotika Ornament, this font family showcases the craftsmanship of calligraphy and the elegance of the medieval era. Gotika Black is a bold, street-inspired typeface, while Gotika Strict combines the historic charm of blackletter calligraphy with geometric precision. Gotika Ornament is a decorative font with Middle Ages-inspired floral designs, perfect for creating intricate and eye-catching visuals. Each font within the Gotika family is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. The family has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer, dedicated to crafting diverse and versatile fonts. With a passion for design and typography, he has developed a broad range of fonts that are utilized by designers around the world.

Grotica is a versatile geometric sans serif contains 7 weights from Thin to Bold. IIt's inspired by the beautiful logotype on old labels and by exploring the Retroica font we've created in 2020. This font is suitable for movies, TV, advertising, packaging, logos, posters, music, branding, posters and so on with a modern design style. With over 600 glyphs per style, Grotica supports around 150 languages in Latin and Cyrillic script. Grotica OpenType Features including alternate glyphs, fractions, contextual alternates, oldstyle and lining (proportional and tabular) numerals, numerators/denominators, superiors/inferiors, and a variety of symbols.

Gotica Lumina is a an attempt to make blackletter more legible to the 21st century's eye. It is available in two styles: soft (for text) and sharp (for display). Both of them have an alternate font, which contains stylistic alternate forms for several characters, for a more “traditional” look. Opentype features: four styles of figures and currencies, ligatures (f-ligatures and c-ligatures), historical forms (long-s).

a modern blackletter

Gothic Gothic is a fusion of old and new that is both Gothic and Gothic. In typography Gothic can refer to German Blackletter or Old English styles. Gothic can also mean block or sans serif style lettering. By combining and balancing the elements from both of these ideas we have created a contemporary extended block letter typeface. The Gothic Gothic family contains 2 companion fonts. Gothic Gothic Text is a more minimal variation that has a more roman looking style while still retaining some Blackletter feel. Gothic Gothic Black is a bolder version designed to tend more toward the Blackletter style of Gothic with more contrast of stroke and a few of the more unusual Blackletter forms thrown in for flavor. Gothic Gothic has been honored with an award of Excellence in Type Design from Association Typographique International (ATypI) in 2001. Typeco has updated this font and has released it as an expanded family. Gothic Gothic is a crepuscular family of 3 fonts

Old World elegance meets Levantine luxury in this stylish new font from Studio K. It takes its inspiration from the numerals on antique clocks and pocket watches – specifically the curlicue on the figure ‘2’ – from which the entire font has been extrapolated. The font also includes alternate swash capitals.

With a gentle, modulating effect and very neat from a formal point of view, Botija is ideal for medium sized texts: it is a font family with a unique style. Created initially as a reinterpretation of Bodoni, it maintains a sharp vertical axis and a medium level of contrast, suitable to function in smaller bodies and featuring subtle details which stand out in medium-sized bodies of text.

Geometric stencil font completely based on curved lines. Soft techno style.

GORILAS Handbrush Font is a font with an available brushstroke style with a set of uppercase all with number and punctuation support, and Ligatures making this font perfect for your awesome project.

Digitally engineered by Steve Jackaman. Ludlow, circa 1939.

Godiva is vintage font family inspired by vintage lettering. It works perfectly for achieving that vintage aesthetic with your designs.

Geotrica is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

“A picture is worth a thousand words” and here, that’s more than true. Take a look at Erotica’s Booklet; Erotica’s Poster Design and Erotica’s User’s Guide before reading below. THE STYLES The difference between Pro and Std styles is the quantity of glyphs. Therefore, Pro styles include all the decorative alternates and ligatures while Std styles are a reduced version of Pro ones. Big and Small styles were thought for better printing results. While Big is recommended to be printed in big sizes, Small may be printed in tiny sizes and will still show its hairlines well. INTRODUCTION I have always wondered if the circle could ever be considered as an imperfect shape. Thousands of years have passed and we still consider circles as synonyms of infinite beauty. Some believe that there is something intrinsically “divine” that could be found in them. Sensuality is many times related to perfectly shaped strong curves, exuberant forms and a big contrasts. Erotica is a font created with this in mind. THE PROCESS This story begins one fine day of March in 2012. I was looking for something new. Something which would express the deep love I feel regarding calligraphy in a new way. At that time, I was practicing a lot of roundhand, testing and feeling different kinds of nibs; hearing the sometimes sharp, sometimes soft, sound of them sliding on the paper. This kind of calligraphy has some really strict rules: An even pattern of repetition is required, so you have to be absolutely aware of the pressure of the flexible pen; and of the distance between characters. Also, learning copperplate can be really useful to understand about proportion in letters and how a minimum change of it can drastically affect the look of the word and text. Many times I would forget about type-design and I would let myself go(1): Nothing like making the pen dance when adding some accolades above and below the written word. Once something is mastered, you are able to break some rules. At least, that’s my philosophy. (2) After some research, I found that the world was in need of a really sexy yet formal copperplate. (3) I started Erotica with the idea of taking some rules of this style to the extreme. Some characters were drawn with a pencil first because what I had in mind was impossible to be made with a pen. (4) Finding a graceful way to combine really thick thicks with really thin hairlines with satisfactory results demanded months of tough work: The embryo of Erotica was a lot more bolder than now and had a shorter x-height. Changing proportions of Erotica was crucial for its final look. The taller it became the sexier it looked. Like women again? The result is a font filled with tons of alternates which can make the user think he/she is the actual designer of the word/phrase due to the huge amount of possibilities when choosing glyphs. To make Erotica work well in small sizes too, I designed Erotica Small which can be printed in tiny sizes without any problems. For a more elegant purpose, I designed Erotica Inline, with exactly the same features you can find in the other styles. After finishing these styles, I needed a partner for Erotica. Inspired again in some old calligraphic books I found that Bickham used to accompany his wonderful scripts with some ornated roman caps. Erotica Capitals follows the essentials of those capitals and can be used with or without its alternates to accompany Erotica. In 2013, Erotica received a Certificate of Excellence in Type Design in the 59th TDC Type Directors Club Typeface Design Competition. Meet Erotica, beauty and elegance guaranteed. Notes (1) It is supossed that I'm a typographer rather than a calligrapher, but the truth is that I'm in the middle. Being a graphic designer makes me a little stubborn sometimes. But, I found that the more you don't think of type rules, the more graceful and lively pieces of calligraphy can be done. (2) “Know the forms well before you attempt to make them” used to say E. A. Lupfer, a master of this kind of script a century ago. And I would add “And once you know them, it’s time to fly...” (3) Some script fonts by my compatriots Sabrina Lopez, Ramiro Espinoza and Alejandro Paul deserve a mention here because of their undeniable beauty. The fact that many great copperplate fonts come from Argentina makes me feel really proud. Take a look at: Parfumerie, Medusa, Burgues, Poem and Bellisima. (4) Some calligraphers, graphic and type designer experimented in this field in the mid-to-late 20th century and made a really playful style out of it: Letters show a lot of personality and sometimes they seem drawn rather than written. I want to express my sincere admiration to the fantastic Herb Lubalin, and his friends Tony DiSpigna, Tom Carnase, and of course my fellow countryman Ricardo Rousselot. All of them, amazing.

Stoica is a font family for communication to the point. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.

The Sonica font family represents a modern typeface that is designed the express fluidity of motion. Sonica is the second font designed by the Sonic Savior team, and was specifically build for the group's website. The first font by the hand of this design team was Antediluvian, which consists of solid and down-to-earth glyphs - unearthed in fact, from ancient history. Sonica on the other hand is designed with a most volatile and dynamic geometry. If Antediluvian would be the alchemical Salt, Sonica would be its Mercury.

Latica is a new, original, geometric, sans-serif font family, graphically attractive with both upper and lower case letters. Fonts are spaced and mastered for optimal readability. The typeface is versatile and can be successfully used in magazines, websites, posters, brandings, etc. It provides multilingual support.

When work started on the design of Gelica, there wasn't the same glut of retro-ish soft serifs there is today, and if I'd managed to complete it quicker, it might have been more trendsetter than bandwagon jumper, but that's the way it goes sometimes! I still think it's useful and unique enough to be a worthwhile addition to your typographic arsenal. Although obviously influenced by Cooper, it actually owes more to the lesser known Goudy Heavyface and Ludlow Black, particularly in the concave serifs. I wanted the family to be friendly and approachable, but not overly cutesy, and usability was always the prime concern. A nice weight range with matching italics was a must, along with useful OpenType features, and various figure styles. This is a display family first and foremost, but is also comfortable at smaller sizes for longer copy, and so works well in a supporting role to a more exuberant titling font.

Gothic Bold Condensed, first shown in 1889 by Hamilton wooden type founders. With lowercase. Gothic Bold Expanded.

Say hello to GOTCHA! A versatile new marker font with bounce and vigor and a a super-sexy-casual vibe! The Gotcha fonts are incredibly versatile , from street urban, to styled fashionista, to hearty food branding - whatever the weather, Gotcha! has you covered :) Gotcha! comes with a set of alternate upper and lower case letters, and a second set of lowercase letters - this way you can write one word in a million different ways - and keep things ultra natural looking. A comprehensive set of double letter ligatures are also included. Gotcha! also comes with an “Extras Font” which include textured swashes and splatters/grit to add some pizazz to your design.

Modica is a strong and agile Geometric Sans type family comprising 18 fonts. This typeface began life as “Meccanica” – a quirky, heavy, engineering typeface, that later evolved into the more conservative “Technica” type family. And now, the typeface has been distilled down to its simplest and most perfect form to become “Modica”. Modica is a nimble typeface that can handle a multitude of applications – everything from body copy to retail fashion to corporate identities... why not put Modica to task today? Key features: • 9 weights in Roman and Italic • Full European character set (Latin only) • 450+ glyphs per font.